The recording sessions

The recording sessions were produced by Tom Wilson on June 15–16, 1965, in Studio A of Columbia Records, 799 Seventh Avenue, in New York City.[1][9][10] In addition to Bloomfield, the other musicians enlisted were Paul Griffin on piano, Joe Macho, Jr. on bass, Bobby Gregg on drums, and Bruce Langhorne on tambourine,[10] all booked by Wilson. Gregg and Griffin had previously worked with Dylan and Wilson on Bringing It All Back Home.[11]

"Like a Rolling Stone" 3/4 version

The 3/4 "waltz" version of "Like a Rolling Stone", recorded on June 15. This take would later appear on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991.
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On the first day, five takes of the song were recorded in a markedly different style from the eventual release—a 3/4 waltz time, with Dylan on piano. The lack of sheet music meant the song was played by ear. However the essence of the song was discovered in the course of the chaotic session. They did not reach the first chorus until the fourth take, but after the following harmonica fill Dylan interrupted, saying, "My voice is gone, man. You wanna try it again?"[12] This take was subsequently released on The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991.[12][13] The session ended shortly afterwards.[14]


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The recording sessions were produced by Tom Wilson on June 15–16, 1965, in Studio A of Columbia Records, 799 Seventh Avenue, in New York City.[1][9][10] In addition to Bloomfield, the other musicians enlisted were Paul Griffin on piano, Joe Macho, Jr. on bass, Bobby Gregg on drums, and Bruce Langhorne on tambourine,[10] all booked by Wilson. Gregg and Griffin had previously worked with Dylan and Wilson on Bringing It All Back Home.[11]









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